You can get some basic FM-like bell and electric piano sounds out of it without much hassle. I assume that ‘Modulation 1’ and ‘Modulation 2’ operate on a carrier in ‘Misc’? The parameters on the panel are a bit confusing for FM synthesis.
DX10 is a simple synth that lets you do your voodoo. This means the rendered tracks may sound better, but rendering will be slower.įM Synthesis is often considered a black art. The GUI is rather busy for how little it offers, and what little it offers it doesn’t do particularly well.ĮDIT: To reduce CPU load the oscillators are anti-aliased during rendering only.
It’s been around a while, and many FL projects use it, but I can’t really get behind it. If there was a high-quality option for this I’d love it. (I’m not sure if ‘wrapper channel’ is the right term here, but it looks like the sampler channel applied to the synth) The wrapper channel envelopes don’t have the fancy graph editor that makes many of the other plugins so nice either. It’s also a rather disconnected workflow that I would consider detrimental to the overall product. The wrapper does have envelopes, a filter, envelopes, arpeggiator etc… but that’s inherent to many FLStudio plugins and I’m not considering it here. No filters built-in other than the channel filters. There’s no built in envelope ( but you can fix that), or use the channel envelopes. There is amplitude modulation via Osc 3, but no FM. Multiple shapes including sample playback (you can use things like these awesome single cycle waveforms in it).ĭoes it alias? Yep. The time investment doesn’t seem to reflect the reward value though. If you can manage that, then it’s a cool product. If you spend some time with it and make sure to save a lot of presets, I think you can stumble upon some usable sounds. Turn the wrong knob just a bit and the sound goes sour. Starting from presets doesn’t even help this much. Due to its ability to model cymbals, it often feels like you’re getting some weird cross between a cymbal and a drum and a pan. Trying to get a specific sound out of it is difficult. I know it seems like I’m being enthusiastic about Drumpad, but I really don’t like using it. These slight responsive modulations are important to making the drum feel like it’s a living instrument. So you can use light velocity changes on the incoming notes to add a more dynamic and natural sound. There’s 4 slots that allow you to modulate parameters by velocity naturally. There’s parts of it that can either be modulated or modulate the sound naturally (specifically noise phase with retrig off helps a lot) that allow you to create rolls that don’t have that machine gun sound. You’re not going to get realistic drums out of this guy, but what you can get is realistic performances out of it. Rather than thinking in terms of sound waves and filters, you are given a set of controls that allow you to create a synthetic membrane that is synthesized. The envelopes/filters/etc… available on the native wrapper channel I won’t consider since these are available to many plugins.ĭrumpad is less a synthesizer, and more of a ‘drum builder’. Unlike the effects post, I’ll be giving multiple ratings for different versions. I’ve organized these by category (as listed in FL) and by availability in version of FL. All that’s left is the conclusion post, but now for a review of every synth available plugin for FLStudio.
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